A A OLA MOVES THROUGH INTIMACY, SEPARATION AND REPETITION. TWO CHARACTERS SHARE THE FILM, BUT THE DISTANCE BETWEEN THEM KEEPS SHIFTING. THE RELATIONSHIP EMERGES FROM FRAGMENTS.
THAT STRUCTURE LEAVES ROOM FOR AN IMAGE TO HOLD A FEELING BEFORE THE NEXT ONE CHANGES IT. A LOOK, A GESTURE OR THE SPACE AROUND A PERSON CAN CARRY PART OF THE STORY. THE CONNECTION BUILDS ACROSS THE SEQUENCE.
A A OLA MOVES THROUGH INTIMACY, SEPARATION AND REPETITION. TWO CHARACTERS SHARE THE FILM, BUT THE DISTANCE BETWEEN THEM KEEPS SHIFTING. THE RELATIONSHIP EMERGES FROM FRAGMENTS.
THAT STRUCTURE LEAVES ROOM FOR AN IMAGE TO HOLD A FEELING BEFORE THE NEXT ONE CHANGES IT. A LOOK, A GESTURE OR THE SPACE AROUND A PERSON CAN CARRY PART OF THE STORY. THE CONNECTION BUILDS ACROSS THE SEQUENCE.
THE DISTANCE IS PART OF THE PICTURE.
THE DISTANCE IS PART OF THE PICTURE.
WARM INTERIORS MEET COLDER, MORE DETACHED SPACES. AMBER LIGHT INSIDE GIVES WAY TO BLUE AT THE EDGE OF THE DAY. THE CHANGE IN TEMPERATURE BECOMES ANOTHER WAY TO READ THE RELATIONSHIP.
SOFT TEXTURE, RESTRAINED PERFORMANCES AND REPEATED VISUAL MOTIFS KEEP THE WORLD SLIGHTLY UNREAL. THE SETTING STAYS FAMILIAR ENOUGH TO ENTER, WHILE THE MOOD SHIFTS UNDERNEATH IT.
WARM INTERIORS MEET COLDER, MORE DETACHED SPACES. AMBER LIGHT INSIDE GIVES WAY TO BLUE AT THE EDGE OF THE DAY. THE CHANGE IN TEMPERATURE BECOMES ANOTHER WAY TO READ THE RELATIONSHIP.
SOFT TEXTURE, RESTRAINED PERFORMANCES AND REPEATED VISUAL MOTIFS KEEP THE WORLD SLIGHTLY UNREAL. THE SETTING STAYS FAMILIAR ENOUGH TO ENTER, WHILE THE MOOD SHIFTS UNDERNEATH IT.
WE HANDLED THE FULL PRODUCTION, DIRECTED BY ONDRASILNY. THE SETUP STAYED LEAN, WITH THE VISUAL LANGUAGE CARRYING THE WEIGHT OF THE PIECE.
THE RESULTING MUSIC VIDEO HOLDS ITS TENSION IN THOSE SMALL CHANGES: WARMTH TO COLD, CLOSENESS TO SEPARATION, A SHARED FRAME TO THE SPACE LEFT AROUND SOMEONE.
WE HANDLED THE FULL PRODUCTION, DIRECTED BY ONDRASILNY. THE SETUP STAYED LEAN, WITH THE VISUAL LANGUAGE CARRYING THE WEIGHT OF THE PIECE.
THE RESULTING MUSIC VIDEO HOLDS ITS TENSION IN THOSE SMALL CHANGES: WARMTH TO COLD, CLOSENESS TO SEPARATION, A SHARED FRAME TO THE SPACE LEFT AROUND SOMEONE.
ARTIST / EXACT. TRACK / A A OLA. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY.
ARTIST / EXACT. TRACK / A A OLA. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY.
A A OLA MOVES THROUGH INTIMACY, SEPARATION AND REPETITION. TWO CHARACTERS SHARE THE FILM, BUT THE DISTANCE BETWEEN THEM KEEPS SHIFTING. THE RELATIONSHIP EMERGES FROM FRAGMENTS.
THAT STRUCTURE LEAVES ROOM FOR AN IMAGE TO HOLD A FEELING BEFORE THE NEXT ONE CHANGES IT. A LOOK, A GESTURE OR THE SPACE AROUND A PERSON CAN CARRY PART OF THE STORY. THE CONNECTION BUILDS ACROSS THE SEQUENCE.
THE DISTANCE IS PART OF THE PICTURE.
WARM INTERIORS MEET COLDER, MORE DETACHED SPACES. AMBER LIGHT INSIDE GIVES WAY TO BLUE AT THE EDGE OF THE DAY. THE CHANGE IN TEMPERATURE BECOMES ANOTHER WAY TO READ THE RELATIONSHIP.
SOFT TEXTURE, RESTRAINED PERFORMANCES AND REPEATED VISUAL MOTIFS KEEP THE WORLD SLIGHTLY UNREAL. THE SETTING STAYS FAMILIAR ENOUGH TO ENTER, WHILE THE MOOD SHIFTS UNDERNEATH IT.
WE HANDLED THE FULL PRODUCTION, DIRECTED BY ONDRASILNY. THE SETUP STAYED LEAN, WITH THE VISUAL LANGUAGE CARRYING THE WEIGHT OF THE PIECE.
THE RESULTING MUSIC VIDEO HOLDS ITS TENSION IN THOSE SMALL CHANGES: WARMTH TO COLD, CLOSENESS TO SEPARATION, A SHARED FRAME TO THE SPACE LEFT AROUND SOMEONE.
ARTIST / EXACT. TRACK / A A OLA. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY.
