A RED CAR CARRIES THE WORDS THE LAST DANCE POP UP ACROSS ITS WINDSCREEN. BEYOND IT, THE CITY STAYS IN THE PICTURE. CARS, PEOPLE AND THE SURROUNDING ARCHITECTURE SHARE THE SAME SPACE.
SPEED DATES BROUGHT CAR CULTURE AND DESIGN TOGETHER IN THAT SETTING. THE AFTERMOVIE DRAWS ITS MATERIAL FROM THE GATHERING ITSELF: CLASSIC CARS, PORTRAITS AND THE SMALL MOMENTS AROUND THEM.
A RED CAR CARRIES THE WORDS THE LAST DANCE POP UP ACROSS ITS WINDSCREEN. BEYOND IT, THE CITY STAYS IN THE PICTURE. CARS, PEOPLE AND THE SURROUNDING ARCHITECTURE SHARE THE SAME SPACE.
SPEED DATES BROUGHT CAR CULTURE AND DESIGN TOGETHER IN THAT SETTING. THE AFTERMOVIE DRAWS ITS MATERIAL FROM THE GATHERING ITSELF: CLASSIC CARS, PORTRAITS AND THE SMALL MOMENTS AROUND THEM.
THE PEOPLE GIVE THE CARS A CONTEXT.
THE PEOPLE GIVE THE CARS A CONTEXT.
DAVID STACHURA LED THE CREATIVE DIRECTION. OUR ROLE COVERED CAMERA AND EDIT, TRANSLATING THAT DIRECTION INTO A FAST, POLISHED EVENT FILM.
THE FRAME CAN MOVE FROM A GRAPHIC DETAIL ON A CAR TO A PERSON AT THE EDGE OF THE EVENT, THEN OPEN OUT TO THE STREET. EACH CHANGE GIVES THE FILM ANOTHER SCALE. TOGETHER, THOSE VIEWS GIVE THE POP-UP ITS OWN RHYTHM.
DAVID STACHURA LED THE CREATIVE DIRECTION. OUR ROLE COVERED CAMERA AND EDIT, TRANSLATING THAT DIRECTION INTO A FAST, POLISHED EVENT FILM.
THE FRAME CAN MOVE FROM A GRAPHIC DETAIL ON A CAR TO A PERSON AT THE EDGE OF THE EVENT, THEN OPEN OUT TO THE STREET. EACH CHANGE GIVES THE FILM ANOTHER SCALE. TOGETHER, THOSE VIEWS GIVE THE POP-UP ITS OWN RHYTHM.
THE PRODUCTION STAYED LEAN AND THE FINISHED AFTERMOVIE STAYED DIRECT. THE EVENT'S CHARACTER COMES THROUGH THE MIX OF CARS, DESIGN AND PEOPLE, HELD TOGETHER BY THE PACE OF THE EDIT.
THE CITY REMAINS PART OF THE SEQUENCE. IT GIVES THE GATHERING A SETTING AND LETS THE IMAGES BREATHE BEYOND THE CARS THEMSELVES.
THE PRODUCTION STAYED LEAN AND THE FINISHED AFTERMOVIE STAYED DIRECT. THE EVENT'S CHARACTER COMES THROUGH THE MIX OF CARS, DESIGN AND PEOPLE, HELD TOGETHER BY THE PACE OF THE EDIT.
THE CITY REMAINS PART OF THE SEQUENCE. IT GIVES THE GATHERING A SETTING AND LETS THE IMAGES BREATHE BEYOND THE CARS THEMSELVES.
CLIENT / SPEED DATES. DEINITE / CAMERA AND EDIT. CREATIVE DIRECTION AND CREATIVE PRODUCER / DAVID STACHURA. AGENCY / FLO.
CLIENT / SPEED DATES. DEINITE / CAMERA AND EDIT. CREATIVE DIRECTION AND CREATIVE PRODUCER / DAVID STACHURA. AGENCY / FLO.
A RED CAR CARRIES THE WORDS THE LAST DANCE POP UP ACROSS ITS WINDSCREEN. BEYOND IT, THE CITY STAYS IN THE PICTURE. CARS, PEOPLE AND THE SURROUNDING ARCHITECTURE SHARE THE SAME SPACE.
SPEED DATES BROUGHT CAR CULTURE AND DESIGN TOGETHER IN THAT SETTING. THE AFTERMOVIE DRAWS ITS MATERIAL FROM THE GATHERING ITSELF: CLASSIC CARS, PORTRAITS AND THE SMALL MOMENTS AROUND THEM.
THE PEOPLE GIVE THE CARS A CONTEXT.
DAVID STACHURA LED THE CREATIVE DIRECTION. OUR ROLE COVERED CAMERA AND EDIT, TRANSLATING THAT DIRECTION INTO A FAST, POLISHED EVENT FILM.
THE FRAME CAN MOVE FROM A GRAPHIC DETAIL ON A CAR TO A PERSON AT THE EDGE OF THE EVENT, THEN OPEN OUT TO THE STREET. EACH CHANGE GIVES THE FILM ANOTHER SCALE. TOGETHER, THOSE VIEWS GIVE THE POP-UP ITS OWN RHYTHM.
THE PRODUCTION STAYED LEAN AND THE FINISHED AFTERMOVIE STAYED DIRECT. THE EVENT'S CHARACTER COMES THROUGH THE MIX OF CARS, DESIGN AND PEOPLE, HELD TOGETHER BY THE PACE OF THE EDIT.
THE CITY REMAINS PART OF THE SEQUENCE. IT GIVES THE GATHERING A SETTING AND LETS THE IMAGES BREATHE BEYOND THE CARS THEMSELVES.
CLIENT / SPEED DATES. DEINITE / CAMERA AND EDIT. CREATIVE DIRECTION AND CREATIVE PRODUCER / DAVID STACHURA. AGENCY / FLO.
