DOPIS STARTS FROM PRIVATE REALITY. A ROOM. A PERSON. A BLUE SUBSTANCE THAT OPENS A PASSAGE INTO SOMETHING HARDER TO PLACE.
THE CONCEPT MOVES BETWEEN MEMORY, DESIRE AND PERCEPTION. AS THE FILM ENTERS THAT INNER WORLD, SPACE AND TIME BEGIN TO LOSE THEIR FIXED FORM. THE IMAGE CARRIES THE CHANGE FROM A RECOGNISABLE SETTING INTO A MORE FLUID STATE.
DOPIS STARTS FROM PRIVATE REALITY. A ROOM. A PERSON. A BLUE SUBSTANCE THAT OPENS A PASSAGE INTO SOMETHING HARDER TO PLACE.
THE CONCEPT MOVES BETWEEN MEMORY, DESIRE AND PERCEPTION. AS THE FILM ENTERS THAT INNER WORLD, SPACE AND TIME BEGIN TO LOSE THEIR FIXED FORM. THE IMAGE CARRIES THE CHANGE FROM A RECOGNISABLE SETTING INTO A MORE FLUID STATE.
LET THE ROOM BECOME ANOTHER WORLD.
LET THE ROOM BECOME ANOTHER WORLD.
WE COMBINED VIRTUAL PRODUCTION WITH PRACTICAL LIGHT AND A RESPONSIVE APPROACH ON SET. PROJECTED LANDSCAPES AND SHIFTING COLOUR BECAME PART OF THE FILM'S VISUAL LANGUAGE.
A WARM INTERIOR GIVES WAY TO AN OPEN BLUE HORIZON. THAT CHANGE IN SCALE LETS THE SONG MOVE BEYOND THE ROOM. THE LANDSCAPE BECOMES PART OF THE CHARACTER'S INNER EXPERIENCE.
WE COMBINED VIRTUAL PRODUCTION WITH PRACTICAL LIGHT AND A RESPONSIVE APPROACH ON SET. PROJECTED LANDSCAPES AND SHIFTING COLOUR BECAME PART OF THE FILM'S VISUAL LANGUAGE.
A WARM INTERIOR GIVES WAY TO AN OPEN BLUE HORIZON. THAT CHANGE IN SCALE LETS THE SONG MOVE BEYOND THE ROOM. THE LANDSCAPE BECOMES PART OF THE CHARACTER'S INNER EXPERIENCE.
DEINITE HANDLED THE FULL PRODUCTION FOR MIRAI X UNIVERSAL, DIRECTED BY ONDRASILNY. VFX BY STEPAN SIMEK HELPED SHAPE THE ALTERED WORLD.
THE FINISHED VIDEO HOLDS TOGETHER AS A CINEMATIC FEVER DREAM. LIGHT, COLOUR AND THE CHANGING SPACE CARRY THE PASSAGE, LEAVING THE IMAGE SUSPENDED BETWEEN WHAT FEELS PRESENT AND WHAT MIGHT BE REMEMBERED.
DEINITE HANDLED THE FULL PRODUCTION FOR MIRAI X UNIVERSAL, DIRECTED BY ONDRASILNY. VFX BY STEPAN SIMEK HELPED SHAPE THE ALTERED WORLD.
THE FINISHED VIDEO HOLDS TOGETHER AS A CINEMATIC FEVER DREAM. LIGHT, COLOUR AND THE CHANGING SPACE CARRY THE PASSAGE, LEAVING THE IMAGE SUSPENDED BETWEEN WHAT FEELS PRESENT AND WHAT MIGHT BE REMEMBERED.
ARTIST / MIRAI. TRACK / DOPIS. CLIENT / MIRAI X UNIVERSAL. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY. VFX / STEPAN SIMEK.
ARTIST / MIRAI. TRACK / DOPIS. CLIENT / MIRAI X UNIVERSAL. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY. VFX / STEPAN SIMEK.
DOPIS STARTS FROM PRIVATE REALITY. A ROOM. A PERSON. A BLUE SUBSTANCE THAT OPENS A PASSAGE INTO SOMETHING HARDER TO PLACE.
THE CONCEPT MOVES BETWEEN MEMORY, DESIRE AND PERCEPTION. AS THE FILM ENTERS THAT INNER WORLD, SPACE AND TIME BEGIN TO LOSE THEIR FIXED FORM. THE IMAGE CARRIES THE CHANGE FROM A RECOGNISABLE SETTING INTO A MORE FLUID STATE.
LET THE ROOM BECOME ANOTHER WORLD.
WE COMBINED VIRTUAL PRODUCTION WITH PRACTICAL LIGHT AND A RESPONSIVE APPROACH ON SET. PROJECTED LANDSCAPES AND SHIFTING COLOUR BECAME PART OF THE FILM'S VISUAL LANGUAGE.
A WARM INTERIOR GIVES WAY TO AN OPEN BLUE HORIZON. THAT CHANGE IN SCALE LETS THE SONG MOVE BEYOND THE ROOM. THE LANDSCAPE BECOMES PART OF THE CHARACTER'S INNER EXPERIENCE.
DEINITE HANDLED THE FULL PRODUCTION FOR MIRAI X UNIVERSAL, DIRECTED BY ONDRASILNY. VFX BY STEPAN SIMEK HELPED SHAPE THE ALTERED WORLD.
THE FINISHED VIDEO HOLDS TOGETHER AS A CINEMATIC FEVER DREAM. LIGHT, COLOUR AND THE CHANGING SPACE CARRY THE PASSAGE, LEAVING THE IMAGE SUSPENDED BETWEEN WHAT FEELS PRESENT AND WHAT MIGHT BE REMEMBERED.
ARTIST / MIRAI. TRACK / DOPIS. CLIENT / MIRAI X UNIVERSAL. DEINITE / FULL PRODUCTION. DIRECTION / ONDRASILNY. VFX / STEPAN SIMEK.
